Oye Como Va! Hybridity and Identity in Latino Popular Music.
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | كتاب |
| اللغة: | الإنجليزية |
| منشور في: |
Philadelphia, USA:
Temple University Press,
2010
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| الموضوعات: | |
| الوسوم: |
إضافة وسم
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MARC
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| 008 | 220225b2010 ||||| |||| 00| 0 eng d | ||
| 999 | |c 434561 |d 434559 | ||
| 020 | |a 978-1-4399-0090-1 | ||
| 040 | |c Pontificia Universidad Católica de Valparaíso | ||
| 082 | |a 781.64089 PAC 2010 |2 22 | ||
| 100 | 1 | |a Pacini Hernandez, Deborah |e autor |9 866542 | |
| 245 | 1 | 0 | |a Oye Como Va! |b Hybridity and Identity in Latino Popular Music. |
| 260 | |a Philadelphia, USA: |b Temple University Press, |c 2010 | ||
| 300 | |a 220 páginas | ||
| 500 | |a C1. Donación Profesor Ricardo Álvarez Bulacio. Memo 16/12/2021 | ||
| 505 | |a Preface -- 1. Introduction : hybridity, identity, and Latino popular music -- 2. Historical perspectives on Latinos and the Latin music industry -- 3. To rock or not to rock : cultural nationalism and Latino engagement with rock 'n' roll -- 4. Turning the tables : musical mixings, border crossings, and new sonic circuitries -- 5. New immigrants, new layerings : tradition and transnationalism in U.S. Dominican popular music -- 6. From cumbia Colombiana to cumbia cosmopolatina : roots, routes, race, and mestizaje -- 7. Marketing Latinidad in a global era -- Notes -- Selected bibliography -- Index. | ||
| 583 | |c 20220225 |k Sebastián Perez | ||
| 650 | 0 | |a Hispanoamericanos |9 475368 |x Música |x Aspectos sociales | |
| 650 | 0 | |a Música popular |x Aspectos sociales |z Estados Unidos |9 356085 | |
| 942 | |2 ddc |c BK | ||
| 952 | |0 0 |1 0 |2 ddc |4 0 |6 781_640890000000000_PAC_2010 |7 0 |8 A |9 581493 |a BIBEDU |b BIBEDU |c ES_NOD |d 2022-02-25 |e Donación |i 5648084 |l 1 |o 781.64089 PAC 2010 |p 5648084 |q 2025-06-06 |r 2025-05-07 |s 2025-05-07 |t 1 |w 2022-02-25 |y BK |k MUS | ||